Home
Québec   Beaupré   Mahone Bay   Peggy's Cove   Halifax   Digby   Bear River   Cape Split   L'Anse aux Meadows   Norstead  

to the story's beginning            back to Blomidon / Cape Split


Newfoundland.

We visited L'Anse aux Meadows and the area nearby, at the northern end of The Rock's Great Northern Peninsula. The French originally named the place L'Anse aux Méduses, or Jellyfish Cove. It's just one of many names in Newfoundland that got changed when the English took over.

Berries are big business here, and they have local names too. Bakeapples are said to be named by another linguistic misunderstanding. Supposedly, an Englishman asked a Frenchman what the berry was called, and the Frenchman answered with a question: "Baie qu'appelle?" – which means, "what is the berry called?"
Bakeapple

Cloudberry
 
Partridgeberry

Lingonberry
by Dawn Endico
Squashberry

Highbush Cranberry
 

Dark Tickle and White Cape Harbor, near St. Lunaire. "Tickle" is a local term that means a narrow, usually fast-moving, channel.

L'Anse aux Meadows is the second place we got lucky with a B&B. Here it was Valhalla. Good rooms, good people, good food. This is the view from Bella's back porch.





White Cape Harbor, also seen in the first photo from Aunt Bride's Lookout

Aunt Bride's Lookout, across the road from the Valhalla B&B

L'Anse aux Meadows is the only authenticated site of Norse settlement in North America. The Norse travelled here around 1000 AD. The archeological remains of their sod buildings are the earliest known European structures in North America; their bloomery, or ironworks, the site of the first known iron working in the New World; the site itself the base from where they launched expeditions resulting in the first contact between aboriginal North Americans and Europeans.

In 1978, L'Anse aux Meadows became the first cultural site in the world to be inscribed upon the World Heritage List of the UNESCO Convention. Inscription on this list confirms the exceptional universal value of a cultural or natural site which deserves protection for the benefit of all humanity. L'Anse aux Meadows ranks among the major archeological properties of the world.

Views of L'Anse aux Meadows from the visitor center.

The village is at right; the ruins are at left. The ruins are buried under a semicircular path, just above the white flower in the first photo. People here always knew about the mounds, but thought they had been made by Indians.

Nobody even considered a Viking origin until Anne Stine Ingstad (archaeologist) and Helge Ingstad (explorer) came here in 1960. From then until 1968, Anne Stine led excavations that uncovered artifacts that could only have come from Europe. The "Indian mounds" were proven to be the ruins of eight dwellings believed to have been built by Leif Eiriksson about 1000 years ago.

Parks Canada resumed excavations from 1973 to 1976, when they began to prepare it for a National Historic Site. They re-buried the ruins, feeling they had got as much information as contemporary technology would yield. Perhaps some new invention a hundred years from now will make it attractive to re-excavate the area.

"They discovered Viking America." The statue of the Ingstads is a gift from the King and Queen of Norway, which they presented to the Canadian people in May 2002: There is an identical statue at the Viking Ship Museum in Oslo.

There are two kinds of interpreters at the visitor center. Clayton wore government clothes as he guided us through the ruins to the village down the hill. The village is a replica, built to look and feel like the original might have been. The other interpreters are inside, dressed and behaving like Viking settlers might have been.

Here are some of the ruins, restored to the way they looked before the Ingstad excavations.

Above, left to right: Outbuilding, House and Workshop, Dwelling and Small Forge.

Dwelling and Woodworking.



Workshop.



Dwelling, Ship Repair, and Iron Forging.

Views from among the ruins. The landscape isn't much different from the one the Vikings saw, except that the water was a little higher then, and the coastline would have been about two or three hundred feet farther in.

The trail leads from the ruins down to the reconstructed village. Inside the fence, Parks Canada has reproduced a Viking settlement – same dimensions, same methods of construction (sod layers held together by gravity and wooden pins), same kinds of activity (shipbuilding, ironworks, sewing, cooking, dairy).

Some of Parks Canada's other interpreters at work.

 

Small forge. At other times, the fire is lit and an interpreter demonstrates the techniques that were used here, when the Iron Age first came to the New World.

Views from inside a Viking house. The second one is from Norstead, another village reconstruction nearby.

Meeting of Two Worlds is an interpretive artwork that captures the historical significance of L'Anse aux Meadows. There are two parts: one by Newfoundland sculptor Luben Boykov (pointed one, right in the first photo), the other by Richard Brixel of Sweden (left in the first photo, resembles a filled sail). Symbolically corresponding to the points of departure and landing of the Vikings, the two pieces come together to form an archway over the walking trail between the visitor center and the archaeological site. Where the two elements meet, the artistic styles fuse, representing the first contact between the European and North American Aboriginal cultures.

There are many themes and images within the sculptures, such as the sea serpent on the European side (first photo, also visible in the second photo above). The second and third photos show a screaming face at the base of the North American side, suggesting the fact that contact between the two cultures was not always pleasant.

This is the ringed pin that conclusively identified L'Anse aux Meadows as a Viking settlement. It is a bronze pin, used to fasten a cloak over the shoulder, commonly found at Norse sites. This particular type occurred only in the Norse Atlantic area.

 

#10. Spindle whorl. Used as a flywheel on a spindle of wood in the spinning of thread or yarn. This artifact was an important part of a Norse woman's work kit. The whorl was made from a fragment of a soapstone oil lamp as shown by the soot on its bottom.
#13. Whetstone. This small sharpening stone was used for sharpening needles and scissors and was part of a woman's work kit.
#14. Needle fragment. Made from bone, this needle was used for single needle knitting. It was used to make socks, hats, and mittens.

#3: Skewers. Wooden skewers were used for many purposes: to hold sod in place on roofs in house construction, to tie up bundles, and, perhaps, to tie the ends of sausages.

This item is identified as an iron nail, probably made on the site from local bog iron.

Reproduction of a large runestone from Sjonhem churchyard, Gotland, Sweden. The original stone is of limestone and dates from the 11th century. The inscription reads:

Rodvisal and Rodalf, they had stones erected in memory of their sons; this one is in memory of Rodfos. He was betrayed by Valakians on a visit abroad. May God help Rodfos' soul. May God betray those who betrayed him.



More replicas in the visitor center.

The diorama shows another view of what the settlement might have looked like.

 

Norstead was built across the road from the visitor center in 2000. Where the L'Anse aux Meadows village re-creates Leif Eiriksson's settlement, Norstead is a reconstruction of a Viking trading port as it might have existed in Iceland or Norway. The large building, the chieftain's hall, blends in thoroughly with the landscape at the right of the photo. The church is in the center, and the workshop on the left.

Norstead has re-enactors, too.

Snorri is a replica of a Swedish knarr, built in Maine and sailed from Greenland to L'Anse aux Meadows in 1998. There are locks for eight oars if the wind doesn't favor sailing.

Church at Norstead. The workshop is to the left of the church.



Forge inside the workshop. Faces carved in the support columns are common here.

The trail leads from Norstead to the top of Cape Bauld, but we didn't go that far.


Runestone and totem, across the cove from each other.

Kalle Dahlberg carved the runestone on the Swedish island Adelsö in early 2000. Then it was shipped to Newfoundland in time for the Millennium Celebration and dedication of Norstead that year. It's an interesting story. The inscription reads:

VTTA and Barbara Genge raised stone to commemorate the exploration of North America by Leif Eriksson in year one thousand. Kalle rista.

The letters are Old Norse runes, but the language is English.

Noddy Head. The white object on the horizon is an iceberg.

Here's an iceberg from 800 feet up. The exposed part is about 150 feet across.

 

Tales of L'Anse aux Meadows, a dinner theater at the Norseman restaurant: Wade, Denise, and Gina are among the entertainers.
Here's Wade at his day job.




The skits were followed by a screech-in. This is a ceremony to make outsiders feel welcome in Newfoundland, sort of.

Sunset at Norstead


Home